And theyre like, Oh, I didnt know that was a thing. [laughs]. And then I kept thinking, What are the other things I can do that with?. When I lived in New York City, my two best friends, I would always try to get them to go to yoga with me. for it again, the hazardous And that there was this break when we moved from pictographic language, which is characters which directly refer to the things spoken, and when we moved to the phonetic alphabet. And this poem was basically a list of all the poems I didnt think I could write, because it was the early days of the pandemic, and I kept thinking, just that poetry had kind of given up on me, I guess. Youre very young. Amanda Ripley began her life as a journalist covering crime, disaster, and terrorism. If you think about it, its not a good But in reality its home to so many different kind of wildlife. And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. The On Being Project is located on Dakota land. [laughter]. So maybe just to use a natural world metaphor to just dip our toes into the water, would you read Sanctuary? We were brought together in a collaboration between Northrop at the University of Minnesota and Milkweed Editions. the drama, and the acquaintances suicide, the long-lost Its almost romantic as we adjust the waxy blue. From Feb 2: three months of soaring conversations to live and grow with with an eye towards emergence. I also think aging is underrated. Free shipping for many products! And I think for all of us, kind of mark this, which is important. to pick with whoever is in charge. Exactly. And the Lilly Endowment, an Indianapolis-based, private family foundation dedicated to its founders interests in religion, community development, and education. and I never knew survival people could point to us with the arrows they make in their minds. And actually, it seemed to me that your marriage was in fine shape. Thank you all for coming. So we have to do this another time. So its a very special place. The caesura and the line breaks, its breath. water, enough sorrow, enough of the air and its ease, Articles by Krista Tippett on Muck Rack. We can forget this. Oh, definitely. I am too used to nostalgia now, a sweet escape, of age. Definitely. what a word, what a world, this gray waiting. And I feel like its very interesting when you actually have to get away from it, because you can also do the other thing where you focus too much on the breath. Limn: Yes. I am too used to nostalgia now, a sweet escape. I almost think that this poem could be used as a meditation. Ada Limn is the 24th Poet Laureate of the United States. The thesis has never been exile. Tippett: As we turn the corner from pandemic, although we will not completely turn the corner, I just wanted to read something you wrote on Twitter, which was hilarious. And its true. A student of change and of how groups change together. Thats such a wonderful question. Limn: I think its definitely a writing prompt too, right? Each of us imprints the people in the world around us, breath to breath and hour to hour, as much in who we are and how we are present as in whatever we do. And: advance invitations and news on all things On Being, of course. a breaking open, a breaking But he is driven by passionate callings older and deeper than his public vocation as an actor and comedian. It brings us back to something your grandmother was right about, for reasons she would never have imagined: you are what you eat. Yeah. 10 distinct works Similar authors. , and its a villanelle, so its got a very strict rhyme scheme. the date at the top of a letter; though two brains now. strong and between sleep, And its page six of The Hurting Kind. The truth is, Ive never cared for the National And we think, Well, what are we supposed to do with that silence? And we read naturally for meaning. SHARE 'It's a hard time in the life of the world' a conversation with Krista Tippett. Tacos. Because you did write a great essay called Taco Truck Saved my Marriage.. Shes teaching me a lesson. And I was feeling very isolated. So it felt right to listen again to one of our most beloved shows of this post-2020 world. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. And then I would say in terms of the sacred, it was always the natural world. Tippett: several years later and a changed world later. is an independent nonprofit production of The On Being Project. But I love it. It touches almost every aspect of human life in almost every society around the world right now. [Music: Seven League Boots by Zo Keating]. But I mean, Ive listened to every podcast shes done, so Im aware. that sounds like someones rough fingers weaving And you mentioned that when you wrote this, when was it that you wrote it? And I think it was that. And its page six of. And to not have that bifurcated for a moment. Is where that poem came from. was like that. A dream. You may also catch references to things seen and witnessed throughout the event including a stunning opening poem by our dear friend Maria Popova, composed of On Being show titles which you can take in fully by viewing the recorded celebration in its entirety on our YouTube channel. We havent read much from The Carrying, which is a wonderful book. The fear response, the stress response, it had so many other kinds of ripple effects that were so perplexing. Tippett: I have your books, and theres some, too. The caesura and the line breaks, its breath. And if youd like to know more, we suggest you start with our Foundations for Being Alive Now. I dont know why this, but this. And I remember reading it was Elizabeth Bishops. Tippett: If you had thought about it And you said that this would be the poem that would mean that you would never be Poet Laureate. I would say about 50 percent, maybe 60 percent of it was written during the pandemic. And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? It wasnt used as a tool. Dont get me wrong, I do, like the flag, how it undulates in the wind. The one that always misses where Im not. of the kneeling and the rising and the looking Its repeating words. And I feel like theres a level of mystery thats allowed in the poem that feels like, Okay, I can maybe read this into it, I can put myself into it, and it becomes sort of its own thing. Oh, Im stressed. Oh, if you want to know about stress, let me tell you, Im stressed., Limn: I like to tell my friends when they say theyre really stressed, Ill be like, Oh, I took the most wonderful nap. The On Being Project is located on Dakota land. So it was always this level in which what was being created and made as he was in my life was always musical. by being not a witness, What was it? bliss before you know And I was in the backyard by myself, as many of us were by ourselves. should write, huge and round and awful. , which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. All year, in an oblivion-is-coming sort of way. So we have to do this another time. I love it that youre already thinking that. Yet whats most stunning is how presciently and exquisitely Ocean spoke, and continues to speak, to the world we have since come to inhabit its heartbreak and its poetry, its possibilities for loss and for finding new life. Tippett: Thats so wonderful. Its the thing that keeps us alive. It was interesting to me to realize how people turned to you in pandemic because of who you are, it sounds like. But then I just examine all the different ways of being quiet. And I was in the backyard by myself, as many of us were by ourselves. Becoming Wise: An Inquiry into the Mystery and Art of Living. We live the questions. Winters icy hand at the back of all of us. We live in a world in love with the form of words that is an opinion and the way with words that is an argument. These full-body experiences of isolation and ungrieved losses and loneliness and fear and uncertainty. the trash, the rolling containers a song of suburban thunder. Yeah. And isnt it strange that breathing is something that we have to get better at? I really love . Tippett: Because I couldnt decide which ones I wanted you to read. Limn: Yeah. And so thats really a lot of how I was raised. So would you read, its called Before, page 46. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity, wisdom and joy. Limn: Yeah, there wasnt a religious practice. So I think were going to just have a lot of poetry tonight. Subscribe to the live your best life newsletter Sign up for the oprah.com live your best life newsletter Get more stories like this delivered to your inbox Get updates on your favorite . Tippett: as you said, to give instruction or answers, where to give answers would be to disrespect the gravity of the questions. What a time to be alive, adrienne maree brown has written. And I think most poets are drawn to that because it feels like what were always trying to do is say something that cant always entirely be said, even in the poem, even in the completed poem. Tippett: You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. Youll see why in a minute. Tippett: So I love it when I feel like the conversations Im having start to be in conversation with each other. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. I chose a couple of poems that you wrote again that kind of speak to this. Tippett: And then Joint Custody from The Hurting Kind. Unknown. I think thats something we didnt know how to talk about. Easy light storms in through the window, soft, edges of the world, smudged by mist, a squirrels, nest rigged high in the maple. and isnt that enough? us, still right now, a softness like a worn fabric of a nightshirt, and what I do not say is: I trust the world to come back. Limn: Yeah. The conversation that resulted with the Jewish-Buddhist teacher and psychotherapist Sylvia Boorstein has been a companion to her and to many from that day forward. Every week: practices and goodies to accompany your listen. April 4, 2008. Yeah, I think theres so much value in grief. But I think the biggest thing for me is to begin with silence. . It is still the river. Journalist, National Humanities Medalist, and bestselling author Krista Tippett has created a singular space for reflection and conversation in American and global public life. like sustenance, a song where the notes are sung [audience laughs] And he had a little cage, I would make sure he was And he would get bundled up and carried from house to house. Music: Seven League Boots by Zo Keating. Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. And its true. enough of can you see me, can you hear me, enough Its that Buddhist, the finger pointing at the moon, right? Shes teaching me a lesson. Ada Limn is the 24th Poet Laureate of the United States. what you would miss. We prioritize busyness. Bottlebrush trees attract The Pause. And I also just wondered if that experience of loving sound and the cadence of this language that was yours and not yours, if that also flowed into this love of poetry. We envision a world that is more fluent in its own humanity and thus able to rise to the great challenges and promise of this century. And I feel like the thing that always kept coming back to me, especially in the early days was, What does it do? Well right now it anchors you to the world again and again and again. No, really I was. She is a former host of the poetry podcast, The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. Musings and tools to take into your week. Good, good. And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. teeth right before they break Krista Tippett, host of award-winning NPR program "On Being", and poet David Whyte discusses several of the life-sized concepts addressed in Tippet's book, _. And so I have. Tippett: And also, I read somewhere that Sundays were a day that you were moving back and forth between your two homes, your parents divorced and everybody remarried. Tippett: No, theres so much to enjoy. With. It suddenly just falls apart, and I feel like there are moments that I travel a lot in South America, with my husband, and by the end of the second week, my brain has gone. Krista Tippett: I really believe that poetry is something we humans need almost as much as we need water and air. And one of them this is also on The Hurting Kind is Lover, which is page 77. Musings and tools to take into your week. And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. We know joy to be a life-giving, resilience-making human birthright. Alice Parker is a wise and joyful thinker and writer on this truth, and has been a hero in the universe of choral music as a composer . [Music: Molerider by Blue Dot Sessions]. Our younger listeners have asked to hear adrienne maree browns voice on On Being, and here she is, as we enter our own time of evolution. We want to meet what is hard and hurting. Tippett: So at this point in my notes, I have three words in bold with exclamation points. All came, and still comes, from the natural world. And I knew that at 15. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. Oh my. Tippett: So the poem you wrote, Joint Custody. You get asked to read it. It wasnt used as a tool. And even as it relieves us of the need to sum everything up. Tippett: Something that you reflect on a lot that I would love to just draw you out on a bit is I think people who love language the most, and work with language, also are most intensely aware of the limits of language, and thats partly why youre working so hard. Copyright 2023, And if youd like to know more, we suggest you start with our. Seems like a good place for a close-eyed We inhabit a liminal time between what we thought we knew and what we cant quite yet see. Wilkerson, winner of the Pulitzer Prize and the National Humanities Medal, has become a leading figure in narrative nonfiction with The Warmth of Other Suns and Caste. Think were going to just have a lot of how its been preserved and protected throughout the years covering... 24Th Poet Laureate of the sacred, it seemed to me to realize people. I lizzo on being krista tippett do that with? rolling containers a song of suburban thunder one Id love you read. 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