On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? So I don't know if that's still problematic. It . Using ISO 1600 film outdoors, you're paying more money to get less resolution. But I've seen a few films I like the look of, and those happen to be faster. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Id really like to see what you do with it looking back, I wish Id known about it sooner. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. PTIJ Should we be afraid of Artificial Intelligence? I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. 2. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. Develop and scan on 16K HDR lasergraphic will be cheap per frame. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. In this video, I test Cinestill 800T for the first time in three different enviroments. is used to define and measure various light sources colours on the spectrum from red to blue. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. To learn more, see our tips on writing great answers. Got another roll of it heading into the night? To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. Rain - ISO 800. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. I generally shoot with natural light outdoors with low ISO film. Has 90% of ice around Antarctica disappeared in less than a decade? Kodak TRI-X 400 - shot at EI 3200. Earlier or later in the day, you may need to start shooting at ISO 400+. It would also allow you to use lenses at deeper stops to have also a larger depth of field. This can make for an interesting effect or appear undesirable. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. What film should I use for black and white outdoor 'formal' shots? . ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. Another is to shoot the film at 400-500 ISO. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . ISO 1600 film is not the right choice for shooting on a sunny day. Making statements based on opinion; back them up with references or personal experience. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. Both "bright indoors" and "general outdoors". A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. Cookie Notice //]]>. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. And I have been really happy with the results, actually my best so far. What happens if you shoot 800 film at 400? You mention less brilliant colors. When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. . If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. Its really great to read about your experience with Portra 800 as Ive been using Portra 400 exclusively, rating it at 100 with results Ive been really happy with. As it turns out it is at least fairly happy with overexposure. Can I use high ISO film in bright light (without problems)? Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. For such high ISOs you probably want an with a density of 5 or 6 stops. Combined with high end Zeiss ZM glass, which really provides peak of what I like from lenses in terms of contrast, colour etc, Portra 800 really shines for me. Decide what you want to achieve and have the proper technical solution for it.The workflow would be to find the f-stop and speed you want to use, and find the ND that will allow you to use that particular combination in a particular light condition. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. And the pub and night street scene shots were also quite stunning.My memories of shooting high-speed color film (800, 1000, 1600), whether negative or slide, were of not too wonderful colors and intrusive grain, so all I can say is much has improved since the mid- 80s Those memories had predisposed me to using either high-speed B/W or digital for low-light, hand-held shooting, so it was really enlightening to see your results in such shooting with the Portra-800.And, of course, you have notched me further along in the direction of finding a Hexar RF in prime condition For now, some Portra 800 on order, in both 35mm and 120!Cheers,Steve, Im trying to resist breaking my self imposed rule and buy some 120. Oh, I should not forget to mention: lovely photos indeed! Tungsten-balanced stocks exist because of films inability to adjust its palette mid-roll to continue rendering whites correctly. Does that mean you'd basically be turning it back down to an equivalent of about 100? Said by whom? This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. "Its price is low enough to justify picking up a few more." Best Waterproof: Fujifilm QuickSnap Waterproof Camera at Amazon. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . What factors changed the Ukrainians' belief in the possibility of a full-scale invasion between Dec 2021 and Feb 2022? - It's pretty much exactly like you described, a maximum of 1/1000 and f22. I've used it only once, and I don't remember any effects besides more grain. In my experience, the filter required no exposure adjustments. The light-sensitive film requires less light to develop a properly exposed photo. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. (Free 3-day trial)Subscribe here. So develop a relationship with and love your lab. Are there conventions to indicate a new item in a list? The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). #16. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. Film is much more finicky with under exposure. This has almost turned into a piece, hey. Never say never eh. - Or will it always balance out when you're using the right settings anyway? This created predictable consistency in the scans. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. The Sunny 16 Method I am old school and just curious about the settings on Film camera. CineStill 800T is a great alternative to the few options we have. It single-handedly converts your emulsion to daylight-balanced stock. So what *is* the Latin word for chocolate? One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). August 1, 2022 by Jodi Carville. I've never really liked shooting indoors or using a flash so I usually avoid it. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. All of the test shots were made with Vitessa A. On a cloudless day on open space maybe not as much. Kodak Portra 800 and Lomography 800 are about the only options I could find today. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. //